RTWear-You-Out

Fashion Designer fashions – sketches & fashion shows blog.


Naked Biopic truth of Yves St. Laurent Hedonistic Life featured at Cannes Film Festival.

©ourtesy of  theGuardian & thedailybeast

yves st. laurent french fashion designerIt might come as a surprise in a film about a deceased fashion designer who spent vast amounts of his life thinking about couture, but one of the most, if not the most, memorable scenes in the new biopic, Saint Laurent, shows a young Yves Saint Laurent completely naked as he walks towards his partner, Pierre Bergé (clad in a black satin dressing gown that reveals his tanned behind), before the young lovers jump on the bed for a romp. Despite the provocative nature of this and other racy sex scenes in the film, which was directed by Bertrand Bonello (of Le Pornographe fame) and premiered at the Festival de Cannes on Saturday, the real controversy surrounding the production has to do with the clothing. What else!

Early on, the Bonello production incurred the wrath of Saint Laurent’s long-term partner Pierre Bergé, who threatened in WWD to sue the film if it copied any of the designer’s outfits—a bit hard to avoid when making a coming-of-age movie about YSL’s life and work.  The filmmakers, on their part, have accused Bergé of distributing letters to parties associated with the film to try to stop it. To this end, Bergé has refused to allow Bonello’s team to consult the brand’s archives. He also publically endorsed another biopic, Yves Saint Laurent, which debuted in January and was directed by Jalil Lespert. The Fondation Pierre Bergé-Yves Saint Laurent lent the rival film a reported 77 vintage outfits and Bergé helped conduct a scene depicting the legendary 1976 Ballet Russes fashion show. The resulting headlines in the French press declared war between the two films.

…continue with this Story 

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Happy HALLOWEEN ALL You Beauties!

©ourtesy of wikipedia & moi

Through the Eyes of TIM WALKERb5675-magdalenaf

On graduation in 1994, Tim Walker worked as a freelance photography assistant in London before moving to New York City as a full time assistant to Richard Avedon. On returning to England, he initially concentrated on portrait and documentary work for UK newspapers. At the age of 25, he shot his first fashion story for Vogue and has continued to work to much acclaim ever since. The Victoria and Albert Museum and the National Portrait Gallery in London include the photographs of Tim Walker in their permanent collections. Walker staged his first major exhibition at the Design Museum, London in 2008. This coincided with the publication of his book ‘PICTURES’ published by teNeues. In 2008 Walker received the ‘Isabella Blow award for Fashion Creator’ from The British Fashion Council. In May 2009 he received an Infinity Award from the International Center of Photography in New York. In 2012 Walker received an Honorary Fellowship from the Royal Photographic Society. In 2010 Walker’s first short film, ‘The Lost Explorer’ was premiered at Locarno Film Festival in Switzerland and went on to win best short film at the Chicago United Film Festival, 2011. 2012 saw the opening of Walker’s ‘STORY TELLER’ photographic exhibition at Somerset House;

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Splashing color Bridal ensembles

©ourtesy of Tanya Banon @DailyMail
Manish Arora delivered an avant garde Indian wedding collection for the bride with an attitude

Manish Arora delivered an avant garde Indian wedding collection for the bride with an attitude

Two back-to-back fashion weeks that were held recently in the capital – PCJ Delhi Couture Week and India Bridal Week – stand testimony to the fact that couture in India caters largely to the big fat Indian wedding. With the exception of a few designers who showcased some body-hugging gowns or light evening saris both events were high on trousseau and glamour. So couture creations that are meant to be bespoke, customised and hand-crafted “one-of- a-kind” creations were basically runways replete and overflowing with seriously

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China-Born, Paris-Based Designers Spotlight Heritage At Paris Couture Fashion Week

©ourtesy of JingDaily By yiqing-yin-015

This year’s Paris Haute Couture Fashion Week for Fall/Winter 2013-2014 saw a range of designers from a diverse range of backgrounds presenting their creations on the runway. Among them were China-born emerging designers Laurence Xu and Yiqing Yin, both of whom utilize traditional Chinese elements in their couture lines to create their own distinct aesthetics. Making his mark on the French fashion world, Xu held his first ever haute couture fashion show at Pavillon Cambon. Themed Xiuqiu, which literally means “embroidered ball” in Chinese, the show seamlessly integrated Chinese style and Western elements. As Women’s Wear Daily reported, Xu paraded highly embellished, — > Continue reading

 

 


Gaultier claws back on top at Fashion Week. Valentino is dazzled. Bravo….!

©ourtesy of pnj.com

gaultierA model wears the wedding gown for Jean-Paul Gaultier’s Haute Couture Fall-Winter 2013-2014 collection presented Wednesday, July 3, 2013 in Paris. (AP Photo/Jacques Brinon)

“It’s all cinema, it’s all from film,” said Jean Paul Gaultier, summing up haute couture. Paris’ enfant terrible seemed to have a point, speaking on the last day of fall-winter shows that have seen spectators transported from apocalyptic opera houses to the circus and flung across the four corners of the globe. Gaultier’s feline-infused couture collection – Wednesday’s highlight – took for inspiration Italian filmmaker Federico Fellini and “The Pink Panther.” The references merged with theatrical panache to produce once of his best shows in seasons. But the cinema continued throughout Wednesday. In Valentino’s encyclopedic show, continents and eras were merged and had Baz Luhrmann in delight.” Haute couture, like cinema, is unreal. It’s theatre – a romantic aspiration that’s more beautiful, more extraordinary than reality,” said the burlesque “Moulin Rouge” director who sat on the coveted front row.

JEAN PAUL GAULTIER

With a delicious purr, Gaultier pounced back into top form with a feisty couture collection, proving that despite a couple of off seasons, he still has a lot of tricks up his embroidered sleeve. This fall-winter’s muse was the female panther, which inspired a slew of fresh ideas, including plenty of new ways to wear leopard and how to dress in feathers to look like a cat. If it sounds eccentric, it was. Leopard print featured cheekily on tights below one stylish all-black crepe dress, and there were several incredible couture coats. At first glance they looked like fur but were made entirely of feathers, speckled like a big cat pelt and with white feathers at the edges to resemble skin. Gaultier, ever the showman, ensured the wackiness infused the show’s presentation as well. Forty-three looks filed by to the infectious theme of “The Pink Panther,” showcased on models who clawed as they walked. Guests looked on from stalls divided into lionesses, panthers, lynx and leopards. Sometimes they applauded, sometimes they simply laughed. But aside from all the fun, there was some serious couture at work here. – – CLICK HERE to take a look at what we are talking about ::


ARNOLD BUESO: My work with 2013 NYC Fashion Week

nyc fw stage

Pivot Runway Show

I recently had the opportunity to create the production design for an amazing collection. The venue was at the Helen Mills in midtown in this multi-purpose room that we had wanted to convert completely. The staff was very nice and the resources limited, but overall it came out well. The clothes were beautiful. For more info, look up Sukeina International.

The models were beautiful & diverse

The models were beautiful & diverse

another rendering view

Another angle of runway

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Interview with Vita Gottlieb

Vita Gottlieb funded her homonym womenswear label in 2011 and she was a finalist at the London Fashion Fringe in 2012. Behind Vita’s creations there are not only hints from different cultures, they also tell a story and create an atmosphere. The designer mixes patterns and fabrics to create clothes that humor the woman’s body and are both fashionable and comfortable.

When was the label founded? Vita Gottlieb: The label was founded in early 2012 and launched at London Fashion Week in September.

Your works do not look European, there are details that hint to other cultures. Where do you get them from? Continue reading


WTF….it’s New Year’s Eve

HAPPY Fuckin’ NEW YEAR 2013Happy Fuckin' New Year 2013